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DTSTART;TZID=America/New_York:20260611T180000
DTEND;TZID=America/New_York:20260611T190000
DTSTAMP:20260512T160626Z
CREATED:20260421T200809Z
LAST-MODIFIED:20260512T160626Z
UID:10000011-1781200800-1781204400@ncmawinstonsalem.gov
SUMMARY:Field Trip: Delta Arts Center
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/field-trip-delta-arts-center/
LOCATION:Delta Arts Center\, 2611 New Walkertown Rd.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/Delta-Arts-Center.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260530T180000
DTEND;TZID=America/New_York:20260530T230000
DTSTAMP:20260522T033225Z
CREATED:20260504T164941Z
LAST-MODIFIED:20260522T033225Z
UID:10000020-1780164000-1780182000@ncmawinstonsalem.gov
SUMMARY:Party at the Moon Tower
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/party-at-the-moon-tower/
LOCATION:Back Table\, 816 South Elm St.\, Greensboro\, 27406\, United States
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/05/Screenshot-2026-05-04-at-12.40.24-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260529T170000
DTEND;TZID=America/New_York:20260529T200000
DTSTAMP:20260526T193830Z
CREATED:20260428T155307Z
LAST-MODIFIED:20260526T193830Z
UID:10000016-1780074000-1780084800@ncmawinstonsalem.gov
SUMMARY:Park Hangs: Tre. Charles
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/park-hangs-tre-charles/
LOCATION:Bailey Park | 445 Patterson Ave. 27101\, 445 Patterson Ave.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/Tre-Charles.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260528T180000
DTEND;TZID=America/New_York:20260528T190000
DTSTAMP:20260522T022043Z
CREATED:20260421T195749Z
LAST-MODIFIED:20260522T022043Z
UID:10000010-1779991200-1779994800@ncmawinstonsalem.gov
SUMMARY:Field Trip: Culture WS
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/field-trip-culture-ws/
LOCATION:Culture WS\, Liberty Plaza\, 102 W 3rd St. #470\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/annie-spratt-jCrftLHe3ec-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260521T180000
DTEND;TZID=America/New_York:20260521T180000
DTSTAMP:20260512T154818Z
CREATED:20260421T162953Z
LAST-MODIFIED:20260512T154818Z
UID:10000009-1779386400-1779386400@ncmawinstonsalem.gov
SUMMARY:Book Club: Vanishing World by Sayaka Murata
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/book-club-vanishing-world-by-sayaka-murata/
LOCATION:Lot 63\, 614 S Main St.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/Vanishing-World_Sayaka-Murata-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260516T100000
DTEND;TZID=America/New_York:20260516T130000
DTSTAMP:20260512T155341Z
CREATED:20260421T144313Z
LAST-MODIFIED:20260512T155341Z
UID:10000008-1778925600-1778936400@ncmawinstonsalem.gov
SUMMARY:Art in the Park: Paper-Mâché Clouds
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/art-in-the-park-paper-mache-clouds/
LOCATION:Merschel Plaza | 122 W Fourth St. 27101\, 180 W Fourth St.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/Paper-Mache-Clouds.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260515T190000
DTEND;TZID=America/New_York:20260515T220000
DTSTAMP:20260512T153815Z
CREATED:20260508T141813Z
LAST-MODIFIED:20260512T153815Z
UID:10000022-1778871600-1778882400@ncmawinstonsalem.gov
SUMMARY:ART CRUSH: Color the District
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/art-crush-color-the-district/
LOCATION:Arts District\, Downtown Winston-Salem
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/05/Art-Crush-May-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260509T110000
DTEND;TZID=America/New_York:20260509T140000
DTSTAMP:20260501T130958Z
CREATED:20260501T130414Z
LAST-MODIFIED:20260501T130958Z
UID:10000017-1778324400-1778335200@ncmawinstonsalem.gov
SUMMARY:2nd Saturday: Sculpting Our Downtown Story
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/2nd-saturday-sculpting-our-downtown-story/
LOCATION:Winston Square Park | 310 N Marshall St. 27101\, 310 Marshall St. N\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/jonathan-borba-2pjNCNwqrlA-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260502T110000
DTEND;TZID=America/New_York:20260502T130000
DTSTAMP:20260527T155125Z
CREATED:20260421T142403Z
LAST-MODIFIED:20260527T155125Z
UID:10000007-1777719600-1777726800@ncmawinstonsalem.gov
SUMMARY:Art & Literacy: Peel Back the Image
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/art-literacy-peel-back-the-image/
LOCATION:Southside Branch Library | 3185 Buchanan St. 27127\, 3185 Buchanan St.\, Winston-Salem\, NC\, 27127
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/Art-Literacy-May-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260424T170000
DTEND;TZID=America/New_York:20260424T200000
DTSTAMP:20260522T025447Z
CREATED:20260421T134142Z
LAST-MODIFIED:20260522T025447Z
UID:10000006-1777050000-1777060800@ncmawinstonsalem.gov
SUMMARY:Park Hangs: Blue Cactus
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her exploration of material-based art. During her time at SCAD\, English took a fiber class and found a format to think through thread. Now\, her works […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/park-hangs-blue-cactus/
LOCATION:Bailey Park | 445 Patterson Ave. 27101\, 445 Patterson Ave.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/04/SMALL_20250730_BlueCactus_EQ_11-copy.jpeg
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