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DTSTART;TZID=UTC:20261017T090000
DTEND;TZID=UTC:20261017T160000
DTSTAMP:20260922T235745Z
CREATED:20260922T144514Z
LAST-MODIFIED:20260922T235745Z
UID:10000068-1792227600-1792252800@ncmawinstonsalem.gov
SUMMARY:Educator Workshop: How Choices Create Meaning
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n											\n																							\n																		\n										Educators									\n																			\n											Free										\n																	\n													\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/educator-workshop-how-choices-create-meaning/
LOCATION:MUSE Winston-Salem | 226 S Liberty St. 27101\, 226 S Liberty St.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/2026.07.09-Safe-Bus-Company-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261017T100000
DTEND;TZID=America/New_York:20261017T130000
DTSTAMP:20260922T190313Z
CREATED:20260918T174502Z
LAST-MODIFIED:20260922T190313Z
UID:10000062-1792231200-1792242000@ncmawinstonsalem.gov
SUMMARY:Art in the Park: Painted Egg Gourds
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\nThis program is part of the ongoing series NC Strong: Resilience\, Tradition\, and Innovation\, supported in part by the National Endowment for the Arts. \n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/art-in-the-park-painted-egg-gourds/
LOCATION:Hanes Hosiery Community Center | 501 Reynolds Blvd. 27105
ATTACH;FMTTYPE=image/png:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/NCMA-Event-Header.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261023T180000
DTEND;TZID=UTC:20261023T203000
DTSTAMP:20260922T163033Z
CREATED:20260916T181956Z
LAST-MODIFIED:20260922T163033Z
UID:10000061-1792778400-1792787400@ncmawinstonsalem.gov
SUMMARY:Patron Party
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/patron-party/
LOCATION:NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\, 400 W Fourth St. Ste. 130\, Winston-Salem\, NC\, 27101\, United States
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/07/Visit-NCMA-WS-Downtown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261029T180000
DTEND;TZID=UTC:20261029T190000
DTSTAMP:20260731T140722Z
CREATED:20260709T202951Z
LAST-MODIFIED:20260731T140722Z
UID:10000040-1793296800-1793300400@ncmawinstonsalem.gov
SUMMARY:Book Club: Monk and Robot
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/book-club-monk-and-robot/
LOCATION:Coffee Park | 1208 Reynolda Rd. 27104
ATTACH;FMTTYPE=image/png:https://ncmawinstonsalem.gov/wp-content/uploads/2026/07/8.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261029T180000
DTEND;TZID=UTC:20261029T210000
DTSTAMP:20260919T185641Z
CREATED:20260919T162244Z
LAST-MODIFIED:20260919T185641Z
UID:10000067-1793296800-1793307600@ncmawinstonsalem.gov
SUMMARY:Paranormal Night
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/paranormal-night/
LOCATION:NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\, 400 W Fourth St. Ste. 130\, Winston-Salem\, NC\, 27101\, United States
ATTACH;FMTTYPE=image/png:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/Screenshot-2026-09-19-at-12.09.58-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261112T170000
DTEND;TZID=UTC:20261112T190000
DTSTAMP:20260922T190351Z
CREATED:20260918T183435Z
LAST-MODIFIED:20260922T190351Z
UID:10000064-1794502800-1794510000@ncmawinstonsalem.gov
SUMMARY:Open Studio: Connected Threads
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\nThis program is part of the ongoing series NC Strong: Resilience\, Tradition\, and Innovation\, supported in part by the National Endowment for the Arts. \n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/open-studio-connected-threads/
LOCATION:NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\, 400 W Fourth St. Ste. 130\, Winston-Salem\, NC\, 27101\, United States
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/hans-peter-traunig-mhgOuX5sdJo-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261114T110000
DTEND;TZID=America/New_York:20261114T140000
DTSTAMP:20260922T190423Z
CREATED:20260728T160050Z
LAST-MODIFIED:20260922T190423Z
UID:10000049-1794654000-1794664800@ncmawinstonsalem.gov
SUMMARY:2nd Saturday: Secret Shapes
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\nThis program is part of the ongoing series NC Strong: Resilience\, Tradition\, and Innovation\, supported in part by the National Endowment for the Arts. \n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/2nd-saturday-secret-shapes/
LOCATION:Winston Square Park | 310 N Marshall St. 27101\, 310 Marshall St. N\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/07/charlota-blunarova-xWqLelotj58-unsplash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261122T123000
DTEND;TZID=America/New_York:20261122T140000
DTSTAMP:20260922T190529Z
CREATED:20260918T191720Z
LAST-MODIFIED:20260922T190529Z
UID:10000065-1795350600-1795356000@ncmawinstonsalem.gov
SUMMARY:Field Trip: Piedmont Craftsmen's Fair
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\nThis program is part of the ongoing series NC Strong: Resilience\, Tradition\, and Innovation\, supported in part by the National Endowment for the Arts. \n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/field-trip-piedmont-craftsmens-fair/
LOCATION:Benton Convention Center | 301 W Fifth St. 27101
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/DW_0367-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261203T180000
DTEND;TZID=UTC:20261203T190000
DTSTAMP:20260903T145957Z
CREATED:20260709T203834Z
LAST-MODIFIED:20260903T145957Z
UID:10000041-1796320800-1796324400@ncmawinstonsalem.gov
SUMMARY:Book Club: Walkaway
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/book-club-walkaway/
LOCATION:Central Library | 660 W Fifth St. 27101\, 660 W Fifth St.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/png:https://ncmawinstonsalem.gov/wp-content/uploads/2026/07/7.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261205T110000
DTEND;TZID=America/New_York:20261205T130000
DTSTAMP:20260922T190615Z
CREATED:20260918T195035Z
LAST-MODIFIED:20260922T190615Z
UID:10000066-1796468400-1796475600@ncmawinstonsalem.gov
SUMMARY:ART/LIT Teen Art Club: Box Stitch Bookbinding
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\nThis program is part of the ongoing series NC Strong: Resilience\, Tradition\, and Innovation\, supported in part by the National Endowment for the Arts. \n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/art-lit-teen-art-club-box-stitch-bookbinding/
LOCATION:Central Library | 660 W Fifth St. 27101\, 660 W Fifth St.\, Winston-Salem\, NC\, 27101
ATTACH;FMTTYPE=image/png:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/BoxStitchBk.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261211T180000
DTEND;TZID=America/New_York:20261211T210000
DTSTAMP:20260918T181817Z
CREATED:20260918T180241Z
LAST-MODIFIED:20260918T181817Z
UID:10000063-1797012000-1797022800@ncmawinstonsalem.gov
SUMMARY:Field Trip: UNCSA Design & Production Studios
DESCRIPTION:/					\n						Events					\n					/					\n						Workshop: Introduction to Weave Drafting with Kimberly English					\n					\n			\n		\n		\n		\n\n			\n			\n				Workshop: Introduction to Weave Drafting with Kimberly English\n			\n\n							\n										\n						Saturday\, Oct 10\, 2026					\n				\n			\n							\n										\n						1:00 PM – 4:00 PM					\n				\n			\n							\n											\n							Register to Attend						\n					\n											\n							Add to Calendar						\n									\n			\n		\n\n	\n\n\n\n\n	\n\n		\n			Overview		\n\n		\n\n		\n\n						\n				\n\n											\n														\n								Saturday\, Oct 10\, 2026							\n						\n					\n											\n														\n								1:00 PM – 4:00 PM							\n						\n					\n											\n														NCMA Winston-Salem Downtown | 400 W Fourth St. Ste. 130\n						\n					\n					\n				\n			\n\n						\n\n									\n						Explore the art of weave drafting with exhibiting artist Kimberly English\nDrafting is a visual system for translating structure and sequence into woven cloth. In this beginner-friendly workshop\, participants will explore weave drafts as both practical tools and conceptual puzzles: systems of interdependent parts that can be read and manipulated. \nThrough guided exercises\, participants will learn how to interpret and modify 4-harness weave drafts while developing an understanding of how small structural changes create complex visual outcomes. The workshop approaches drafting not only as a weaving skill\, but as a way of thinking through pattern\, logic\, repetition\, and variation. \nThis workshop will be led by exhibiting artist Kimberly English\, whose work is on view in Process as Practice: Three Artists from Western NC at NCMA Winston-Salem Downtown through November 29\, 2026. English is a fiber artist and educator based in Canton\, NC. \nWhile some weaving experience may be helpful\, this course is also open to artists\, designers\, makers\, and visually curious people interested in systems-based thinking\, pattern construction\, and structured experimentation. Participation is free but registration is required. \n \nHeader image: Kimberly English\, The Devil’s Wife\, 2024\, handwoven cotton\, quilting cotton\, batting\, curtain fabric backing. Kimberly English. Courtesy of the artist.\n					\n				\n									\n						\n															\n									Register to Attend								\n							\n													\n\n													\n								\n									Share:								\n								\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																			\n											\n																																																\n										\n																	\n							\n											\n				\n			\n\n		\n	\n\n\n\n\n\n	\n		Related Events	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Open Studio: Hidden Layers					\n\n										\n						Create texture-rich art inspired by tactile works in current exhibition Process as Practice\nTaking inspiration from exhibiting artists Erin Canady and Leah Smith\, this drop-in workshop introduces the fundamentals of masking in art. With guidance from guest artist Gretchen Siebert\, learn the fundamentals of masking in art and use alternative pigments — such as coffee grounds and turmeric — to build striking textures while reimagining traditional mediums. Ages 18 and up; materials provided.\nGretchen Siebert\nBorn in Chicago\, IL\, and now based in Winston-Salem\, NC\,Gretchen Siebert received her BFA from Indiana University South Bend where she studied academic figurative sculpture and drawing with Dora Natella. She later shifted away from representational figuration to experiment with sound but has focused on drawing and exploring abstraction for the past decade. Siebert taught observational drawing and open figure drawing classes at Sawtooth School for Visual Art from 2017 until 2025 and currently serves as Operations Director for Piedmont Craftsmen.\nOpen Studio\nOpen Studio is an adults-only art meetup designed to spark creativity\, conversation\, and connection. Focusing on process over perfection\, these flexible\, drop-in sessions invite participants to experiment freely with materials and ideas in an easygoing workshop environment. Each month features a fresh creative prompt inspired by a North Carolina-based artist. Stop by Open Studio to make art with friends you haven’t met yet.					 \n					\n										\n					\n										\n												\n							October 1\, 2026						\n					 \n					\n				\n			\n			\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Artist Talk: Erin Canady & Kimberly English					\n\n										\n						Save the date! Registration opens soon.\n \nHear from Erin Canady and Kimberly English\, working artists featured in NCMA Winston-Salem Downtown’s second group exhibition Process as Practice: Three Artists from Western NC\, as they discuss the ideas\, materials\, and processes behind their artistic practices.\nEnglish and Canady will discuss how thread\, water\, graphite\, and other materials shape their creative work\, from the ways individual parts come together to the marks and traces left by time. This artist talk offers an opportunity to hear directly from these artists about how process has become an essential part of their artistic practice and will conclude with a Q&A session.					 \n					\n										\n					\n										\n												\n							October 8\, 2026						\n					 \n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n	\n		Related Posts	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Kimberly English’s Creative Practice is Inspired by Ecological Processes and Southern Identity					\n\n										\n						The Asheville-based artist brings together traditional Southern Appalachian weaving practices to explore individual and collective identities. Kimberly English grew up in rural Georgia with craft hobbyist parents who inspired her […]					 \n					\n										\n					\n					\n				\n			\n			\n			\n\n	\n	\n\n\n\n\n\n\n\n\n	\n		Related Exhibitions	\n\n	\n		\n			\n				\n			\n		\n		\n			\n				\n			\n		\n	\n\n	\n					\n				\n								\n					\n												\n												\n					\n									\n				\n				\n\n										\n					\n					\n						Process as Practice: Three Artists from Western NC					\n\n										\n						The North Carolina Museum of Art\, Winston-Salem\, is pleased to announce Process as Practice: Three Artists from Western North Carolina\, the second exhibition at the new art space in downtown Winston-Salem. An opening reception will be held Thursday\, September 17 from 5 to 8 pm\, with remarks at 6:30 pm.					 \n					\n										\n					\n										\n												\n							Through November 29\, 2026
URL:https://ncmawinstonsalem.gov/event/field-trip-uncsa-design-production-studios/
LOCATION:UNCSA | 1533 South Main St 27127
ATTACH;FMTTYPE=image/jpeg:https://ncmawinstonsalem.gov/wp-content/uploads/2026/09/classroomsSPRING26-848.jpg
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END:VCALENDAR