Next Generation of Fiber Artists Brings New Perspectives to Traditional Forms
Above Image: Installation view of Basil Kincaid, "Our Cumulative Lives," 2023. Photo by Abby Keeler.
On View November 16, 2023 – March 10, 2024 | Main Gallery
SECCA is proud to present The Threads We Follow, a group exhibition of fiber-based works by leading global artists. An opening reception with the artists and curator Maya Brooks will be held Thursday, November 16 from 5 to 8pm, with remarks at 6pm and an opportunity for visitors to meet the artists at 6:30pm. Admission is free and open to the public.
Over several centuries, artists and craftspeople have used fiber to challenge identity-based oppression throughout various global cultures. Many of these artists specifically contemplate the historic devaluation of textiles based upon their association with domestic labor and craft making, where women and communities of color have long interpreted social politics.
The Threads We Follow acknowledges the foundations of fiber arts rooted in explicit gender and cultural expression while demonstrating contemporary understandings of the malleability of identity. The artists throughout this show experiment with structure and form to translate their experiences to materials like thread, fabric, and even hair, creating nontraditional designs including busts, sculptures, and suspended pieces. Ultimately, each of these artists emphasizes the exploratory nature of fiber arts that has continuously allowed space for community-focused experimentation and reflection.
The Threads We Follow includes works by Aliyah Bonnette, Amalia Galdona Broche, Ambrose Rhapsody Murray, April Bey, Basil Kincaid, Cynthia Alberto, Ebony G Patterson, John Paul Morabito, Lakea Shepard, Lien Truong, and Pia Camil.
"When I think about fiber and its historic devaluation as a "fine art" tool, I wanted to create an exhibition that showcased contemporary artists' innovations of the medium," said curator Maya Brooks. "Fiber is having a moment, where artists connect their personal histories with social commentaries. So, I see this exhibition as an expression of recognizing that moment, especially as I've carried this love with me for most of my life and now career."